Don’t look now … it’s Hideous!

Actually, I do want you to look.

Hideous Progeny: Classic Horror Goes Punk launches today from Writerpunk Press. This is the fifth in a series of seven planned charity anthologies that pay homage to classic stories by re-imagining them in a variety of literary punk genres.

The fiction included in this anthology spans the gamut from steampunk to clockpunk to biopunk … and even some carniepunk. Anthology authors have drawn their source material from a wide array of classics and classic horror authors. Mary Shelley’s Frankenstein receives a bio-cyberpunk makeover from K.M. Vanderbilt. Ambrose Bierce’s “An Occurrence at Owl Creek” is no less chilling re-imagined as steampunk in “After the Occurrence” by Teel James Glenn.

As with previous anthologies, all proceeds go to benefit PAWS Lynnwood, an animal shelter and wildlife rescue located in Lynnwood, WA.

My own contribution to the anthology is a carniepunk homage to Gaston Leroux’s Phantom of the Opera. This was a challenging project for a few reasons (that I’ll talk about below), but I wanted to complete my hat trick of contributing to the Writerpunk Anthologies. (See my steampunk detective story in Poe Goes Punk, and my dieselpunk Beowulf in English Class Goes Punk.) My short story “The Carnival Ghost,” was accepted, so if you happen to pick up a copy (HINT*HINT*HINT), I hope you’ll check it out. *puppy*eyes*

About those challenges …

I was really, truly trying to make this a steampunk story. I had a few ideas clanking around the ol’ noggin, none of which ever coalesced into an actual story. Or even a note. Most of them are still half-formed blobs of bad penmanship scattered around my bullet journal. The two strongest images that persisted even through the false starts and decisions that I wasn’t going to submit were: 1. Female patron. 2. A carnival.

I couldn’t get the idea of a woman phantom out of my head. It made sense. Someone who would serve as a platonic mentor, without the complications of romantic interest or jealousy, could actually take a student further, to higher heights. They could put all their energy into the development of their protegee, seeking only the reward of their success. At the same time, this would require a degree of ruthlessness from both mentor and mentee, and there were so many depths to explore there.

And–a carnival. I love carnivals and fairs and circuses, even though I’ve always felt they are slightly creepy. Too many shadows. Secrets. Basically, whenever I think of a carnival, I think of HBO’s series Carnivale, and how fascinating and horrifying they can be. Somewhere around this time I re-read the Carniepunk anthology, and that solidified that image and thus, the story.

The challenge? Explaining carniepunk. It’s not a typically category of literary punk, and I wasn’t sure that the anthology editors would be interested in a story that pushed the boundaries of what we included.

On the other hand, we’re not punks for no reason. \m/

“The Carnival Ghost” in all of its creepy carnival glory is part of your reading pleasure.

So, if you like stories that will entertain you, challenge you, and possibly creep you out, pick up a copy today. And let us know what you think.

Rock on, my friends!

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