A Conversation with Bambi Harris, Author

Welcome to Bambi Harris, a prolific author who gave me some of the most unusual answers I’ve gotten since starting to interview authors. I enjoyed corresponding with someone who has a fun sense of humor, and apparently loves coffee and carbs as much as I do. Keep reading to find out more…

Q (Infamous Scribbler): Tell me a bit about your path to writing. What got you into it? How long have you been doing it? What are your genres/stories that you are particularly passionate about?

A (Bambi Harris): One day when I was 29, for no particular reason, I thought to myself, I think I will write a book. So that day I started writing one. I had no idea what I was doing but I thought, no time like the present! What got me into it? Delusion perhaps haha. No particular motivating factor other than thinking I could! I started dabbling in writing about 2006/2007 so just over 9 years. I am most passionate about mystery, supernatural genre’s and history, however I always ensure I have relatable characters, intriguing storylines and happy endings, those are a must.

Q: Can you share with me some of the story of your journey? What first interested you in writing? What were some challenges along the way?

A: I did not necessarily have an interest in writing to begin with. For whatever reason I thought I could do it and decided to try. Challenges were with my first book especially, trying to work out formatting and grammar and how to do things, ‘right’. My biggest obstacle was believing that other people’s ‘right ways’ had to be my own. I started writing my second book without any preconceived notion of how it ‘must’ be done. The biggest hindrance to my accomplishments was the idea that there was only one color paint to use for my canvas. I found my own voice, my own way, my own format, my own presentation and then I got on with the show.

Q: What in particular do you find most satisfying about your work?

A: Hearing people say that they read one of my books in one night. Having people tell me my book made them smile, or think, or that it gave them a different perspective.

Q: What do you find most challenging?

A: Reviews, without question! Leading the reading horses to water and getting them to write a review (even a word or sentence) is the most challenging. It’s disheartening at times. Most people don’t realize how imperative a review is to the lifeline of your work or the morale of its creator.

Q: What piece of advice would you offer someone interested in this field? What piece of advice do you find yourself giving over and over to people who are hoping to learn from you?

A: If you want to be a writer, write. Don’t ponder how, don’t say ‘one day’, don’t imagine what it might be like if you started, just start. You can’t accomplish something that isn’t ventured. Write a sentence and then you can say you are actively writing something and then add to it, one sentence at a time if need be.

So often people say to me they are thinking of writing a book ‘one day’. I always say the same thing; there is no instigating factor to you doing it. If you want to do something, the only thing in your way is the idea that you have to wait for that special day to come. There is no waiting, you might die tomorrow, get on with it!

Q: What work are you most proud of, and why?

A: Oh, I don’t know really. I have written quite a few and I have a true love for each of them. It’s like asking to pick your favorite child haha. I will say, The Porcelain Bones might be the most universal book I’ve written, as in most people, no matter their tastes, should get something out of it.

The Afterlife Series (starting with Death and Other Inconveniences) has been one of my most enduring and I enjoy how it is still loved by new readers now.

I’m proud in general that I wrote and published a book (and 32 of them now), I can pat myself on the back for that, for having an idea and following it through.

Q: On your website, you write that “other than that, she is a complete mystery.” Can you share one aspect of that mystery?

A: There is a lot to be said about that haha. I am multi faceted and then some, but I will say as a curiosity perhaps, as a writer, I am not a reader. This is apparently a contradiction in many minds, but rules are a foundation, not a necessity. Most artwork wouldn’t exist now if half the painters didn’t try something new. And as a person I suppose I’m a contradiction; I’m unconventionally bright, an engaging introvert, alternating between elegant and goofy.

Q: Anything to add?

A: I love coffee, dogs and most regrettably, carbs. If I can make someone laugh then my work here is done.

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You can find Bambi Harris online at her Website: www.bambiharris.com; Facebook: facebook.com/bambiharris.author; and Amazon: amazon.com/author/bambiharris

 

A Conversation with Bobby Nash, Author…

I met Bobby Nash through the Sangria Summit Society, after a mutual acquaintance reviewed his SNOW series. In today’s Conversation, Nash talks about the journey of becoming a writer of multiple formats and genres…

Q (Infamous Scribbler): Tell me a bit about your area of expertise. What do you do? How long have you been doing it? Where do you share or publish your work?

A (Bobby Nash): I am a writer. I write novels, comic books, short prose, graphic novels, novellas, and have dabbled in screenplays. I’m usually opening to whatever best fits the story that needs to be told or whatever the publisher needs.

My first published work outside of a school setting was in 1992 when I had a comic book published and I started writing and drawing a comic strip for a local kid’s magazine called Keeping Up With Kids. I did strips for them for 12 years. It was fun. In 2000, I sold my first professional comic script, DEMONSLAYER, that came out in 2001. In 2004, I sold my first novel, EVIL WAYS, to a publisher. It debuted in 2005. I’ve been rather busy ever since.

I work for several different publishers. I have worked for larger publishers, small press publishers, small indie publishers, and have self-published a book or two as well. My work is generally available at the usual spots: Amazon, Barnes & Noble, on-line retail outlets, comic book stores, and the occasional bookstore. I also sell books through my website for those who would like autographed copies. www.bobbynash.com is where you can find my work.

Q: Can you share with me some of the story of your journey? What first interested you in what you do? What were some challenges along the way?

A: I was fascinated by stories when I was a kid. I often mimicked the TV shows I watched or the books/comics I read when I played. Eventually, I started to make up my own stories, creating characters and situations for them to get in and out of before moving on to the next story. I knew that I wanted to tell stories, but it took a long time to find out exactly how to do it. It took even longer to find a way to do it and reach a larger audience. I’m still working on trying to make a living at it.

There have been challenges along the way. Breaking in with a publisher is tough. There was, and still is, a lot of rejection. I doubt that will ever change. Thankfully, I’m too stubborn to quit. Ha! Ha! Being creative is not easy. There are those that dismiss your creativity as “flights of fancy” or “lack of focus,” both of which I have heard said about me at one time or another. It took a lot of years to convince my family that I was serious about what I was doing. I don’t think they ever really understood my passion for it though, but they try to be supportive.

Publishing has changed a lot and so have the challenges. With the rise of self-publishing, it is easier to get work out there, but it is more of a challenge to get your work noticed. As a writer, I’ve had to learn marketing, promotion, salesmanship, customer service, accounting, things like that. Writing is a business and I have to treat it like a business if I want it as a career.

Q: What in particular do you find most satisfying about your work?

A: I love what I do. I love creating and getting to know characters. I love crafting stories and plots, trying to come up with something new or at least put my own unique spin on a familiar idea. I love traveling and writing has helped me do that. It has also introduced me to a host of wonderful people over the years, some of whom have become lifelong friends. All of that comes from my being a writer. Beyond that, discovering that there are fans of my work was a big thrill. Being asked to autograph something or have my photo taken with a reader, those things are just icing on the cake.

Q: What do you find most challenging?

A: Breaking into new publishers is still a challenge. My body of work helps make that a little easier, but most manuscript sales are still a lot of work. On a personal level, my biggest hurdle is me. Making myself sit down and get to work is the biggest obstacle I face daily. It’s like that old joke where a writer says, “It’s time to write. But first…” and then you fill in the blank with whatever non-writing chore they are about to do like laundry, cleaning the office, etc.

Once I sit down and get started, I am usually good to go, but getting my butt in the chair sometimes takes work. There’s always something trying to distract me.

Q: What piece of advice would you offer someone interested in this field? What piece of advice do you find yourself giving over and over to people who are hoping to learn from you?

A: I give this advice often: If you want to write for fun, do so. There’s nothing wrong with that. If you want to write as a career, then you must treat writing like a job. That means meeting deadlines, long nights, missing out on social events to handle last minute edits, and other things like that. Regardless of why you write, or what your writing goals are, have fun with it.

Q: What work are you most proud of, and why?

A: I usually answer this question with EVIL WAYS, which was my first published novel. I wrote Evil Ways without knowing what I was doing. I wrote how I wanted in the manner I wanted. It wasn’t until after that I was told there are certain things I should have done differently. Who knew? Ha! Anyway, I think that Evil Ways is the most “me” of anything I have written because I didn’t know what I was doing. In some respects, I miss that ignorance.

You can learn more about EVIL WAYS here: https://ben-books.blogspot.com/p/evil-ways.html

These days, I have found myself changing that answer to SNOW FALLS on occasion. I’m not sure what it is about the SNOW series that has caught on with those who are reading it, but they are loving the characters in this series. The title character of Snow is former undercover operative Abraham Snow. When his undercover alias is blown, he is shot and left for dead. He survives, having had a bullet miss his heart by a mere half an inch. Due to his condition, he is forced to retire. Snow returns to the only home he’s known, the one he ran away from right after high school. As he reconnects with family and friends he hasn’t seen in over a decade, Snow also finds that he can’t quite leave the job behind. While trying to track down the man who shot him, Snow also finds himself getting involved in other situations… the kind that he is uniquely suited to handle.

At present, there are 4 SNOW novellas on sale.

Book 1: Snow Falls
Book 2: Snow Storm
Book 3: Snow Drive
Book 4: Snow Trapped
Book 5: Snow Business (coming late 2018 or early 2019)
Book 6: Snow Down (coming 2019)

Series 1 will include 6 novellas.

The first 3 have been collected in a trade paperback collection. The second 3 will also be collected.

SNOW Series 1, Vol. 1
SNOW Series 1, Vol. 2 (coming 2019)

If all goes well and sales warrant, there will be a SNOW Series 2.

You can learn more about SNOW (with links to the above) here: https://ben-books.blogspot.com/p/snow.html

Q: Anything to add?

A: Rachel, I appreciate the interview questions and for letting me talk a little bit about my work. Thanks again.

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For more information about Bobby Nash and his work, check out the following links, or follow him on Facebook, Instagram, Twitter, Amazon and/or Patreon!

www.bobbynash.comhttp://BEN-Books.blogspot.comhttps://ben-books.blogspot.com/p/snow.html

 

 

 

 

 

 

 

 

 

 

 

 

 

 

A Conversation with Dr. Susana H. Case, Poet

Sometimes, reading poetry will trigger a memory so intense that it takes a moment before you realize that the memory it triggered belongs to someone else. That’s what it felt like to read Susana H. Case’s work. Here, I’ve asked her to speak on her work, in the hopes of sharing it with some fellow poetry enthusiasts who would also like to spend some time in the moments she crafts…
Q (Infamous Scribbler): As I perused the Internet, I found many author bios that included a list of your many publications, but not many that talked about who is Dr. Susana Case, and where did she come from. Can you share a little about yourself, the ‘behind-the-scenes’ so to speak?
A (Susana H. Case): I grew up in New York City in one of the outer boroughs (Queens), though I’ve lived in Manhattan most of my adult life (except for a few years in Ohio). Though I’ve traveled widely, sometimes for months at a time, I’ve always lived in the United States. The only child of a public school English teacher and a dietician, who gave up her career to become a full-time mother, I first had some of my poems published in my late teens, but then went in another direction. I earned a Ph. D. in Sociology and became a university professor. In the early 1990s, I returned to my first love, poetry, though I still continue to teach Sociology. The combination of interests means that there are a number of social themes that run through my creative work. For example, I teach a course in gender, and there is a lot about gender that runs through my poems. I’m also interested in power from many different perspectives and that interest is threaded through several of my poetry collections, for instance, my first full-length collection, which was inspired by archival materials from the Salem witchcraft trials (IS Note: Salem in Séance), and also a later book of prose poems inspired by copper mining and the early history of the labor movement in the United States. I’m interested in injustice, but I’m also interested in love, in its many manifestations. You can find one or the other or both practically everywhere you look in my poetry.
My interest in war comes from that interest in power and injustice and is the reason that warfare is the background of two of my collections. My first published chapbook, The Scottish Café, which won the Slapering Hol Press chapbook competition in 2002, and was later translated into Polish and re-published as a dual language (English-Polish annotated) edition by the University of Opole Press was the first series of poems I wrote in that vein, with World War II as the imminent event for a group of mathematicians in what was, in those years, a city that was part of Poland. I returned to thinking about life under war with Erasure, Syria, which has just been released. Having never had to live where a war was in the process of being fought, I consider myself lucky, and my interest in looking at what happens while people are living in those conditions has led me to try to imagine it within the framework of my (very different) experience. What I connect to is the interest in survival, in trying to fashion a life under the worst types of circumstances, a form of persistence and luck. Those are things that interest me. I’m married, to a visual artist, and also live with a dog, an elderly Scottish Terrier.
Q: In your poem, The Apartment, you explain that it was part-experience, part-research, part-imagination. Is this a common theme in your work? If so, how does that amalgamation coalesce when you’re working on a poem? If not, what about the process made this poem unique?
A: Yes, it’s common for me to draw upon my own experience or to project my own experience onto unfamiliar situations and I use imagination a lot. I also read widely if I’m writing about anything that has a historical basis or a basis in fact. Empathy probably also helps. But what I like about writing poetry is the ability to shift from the documentable to the realm of fantasy. “The Apartment” is a poem written about the apartment in which I currently live and the state it was left in at the time I moved in. There had been two people living in the apartment: an elderly man and his schizophrenic adult son. The son was not able to live on his own, and his remaining family eventually moved him out, but the disheveled state of the apartment piqued my interest in the two of them and what their lives must have been like in those final years. I didn’t know them, though I previously lived across the street. The apartment was full of guns, and there were external locks on the internal doors. The son did sleep on a mattress in the middle of the living room. Most of the rest, I imagined from what I know about schizophrenia. I did hear a few details from neighbors as well, the detail about the squeaky wheelchair, for example, which belonged to a resident who had died way before I moved in, coincidentally one of the wives of Robert Moses, the New York planner-builder. I was told that the noise of the wheels irritated the father enormously, that he was not a nice man, but in the poem, I ascribed the disturbance over the sound of the wheelchair to the son.
Q: Your book, Drugstore Blue, resonates, I think, with any woman who grew up in the 1980s. Can you talk about the decisions you made of what to include in the poems in the work, as well as a bit about creating the work in the present with the memories of the past?
A: Although I draw upon my personal experience and biography quite a lot in Drugstore Blue, it’s not a straightforward autobiography. The collection began in its conception as a book of poems about travel. But I soon realized that I wasn’t writing about travel so much as I was writing about the nature of navigating the world as a woman. I then organized the poems in terms of expanding circles of experience, starting with my roots, then moving outward to other parts of the United States, then moving further outward to the world, finishing with a section populated by many who are not of this world, have died, or are mythological, and so forth. But within each of those levels of experience, it’s the nature of being female, and what that means in terms of growing up, love, work, respect, etc., that were important to me for inclusion. I do not have a great memory, so whatever I can remember I’m grateful for, and what I can’t remember, I make up. I generally have not kept a journal, though maybe that would have been a good idea. I think adversity can be mined for creative content and we all struggle, we all have setbacks. I’ve tried to take some of that and turn it into “lemonade” so to speak, something better than it might have been as I was experiencing it. I don’t mean to suggest that my life has been terrible; I’ve been relatively very fortunate. But struggle is universal. We all have problems we are trying to solve. We all want to be loved, and to be happy, and to be fulfilled in our endeavors, and to be somewhat centered. None of that comes easy.
Q: I see from your schedule that you often read your works in public. What about reading the work aloud (as opposed to private creative process) is similar or different to publishing it in a book or online?
A: I was an extremely shy college and graduate student. If anyone had told me then that I would make my living teaching or, worse, that I would get up in front of a crowd of people to read my poems, I would have laughed and said, “no way.” I don’t know exactly what happened—maybe it was the sheer repetition of doing it that eliminated the anxiety, a form of immersive desensitization therapy—but I’m not that shy person anymore, thank goodness. I’ve very happy about that because it made my life at the time more difficult. I could barely say anything aloud. From that kind of history, I’ve come to a place where reading my work in public is something that makes me feel very much alive. But part of the private process for me is also hearing it read aloud. I need to hear it to see if it sounds right before it’s ever sent to be considered for publication.
Q: Your newest work, Erasure, Syria, from Recto y Verso Editions, came out this year. Can you talk about the creative process that went into the works in this book? Many of your other books bring an aspect of personal life from private experience to the public profound. How do you bridge the gap between your process and the lived reality of the war in Syria? 
A: I have no ethnic roots in Syria and, as I mentioned earlier, have never lived or worked in a war zone. I had been following the news. My reaction was to the destruction of a country. It was less a political reaction and more a response to the heartbreak of the situation. I have met a number of Syrians over the years living in other countries who would have preferred to be home, if there was an intact country to return it. It doesn’t look like that will be possible. I mean for my project, which has just been released, in fact the link isn’t even up on Amazon or Barnes & Noble yet, to be a universal response to this kind of upheaval, even though it uses news coverage specific to the situation in Syria. I have been interested in erasure poetry for a while, though I have not included erasure poems in my other books.
Erasure, Syria is a series of erasures of the daily news on Syria. I created one erasure a day and condensed the erasure into a black square in which I paid attention to spacing and other visual elements. It was an attempt to make art out of tragedy, something positive out of something horrific. I was fortunate to work with a publisher with excellent in-house design skills (Christian Ortega) and the book, which is about a terrible sets of events, turned out to be very beautiful. It was the publisher’s idea to also include some pages that showed the process of using this technique to select and arrange text and so it’s also instructional in a sense.
In addition, not that there’s any real money in poetry—that’s not why poets write—I decided I would donate from my part of the royalties to the International Rescue Committee’s programs in Syria. They provide medical and emergency help to refugees within the country and also in bordering countries and also provide water, sanitation, educational, and counseling services within refugee camps. Children and at-risk women are a substantial part of their client base. In this way I felt I would not just be feeding parasitically on someone else’s tragedy. In line with this, if anyone donates $35 to the International Rescue Committee directly, through this link (help.rescue.org/donate), and sends me a copy of the receipt via facebook messaging, I will send that person a free copy of Erasure, Syria. If you live outside the United States, please make a donation of $45, as my shipping costs will be greater.
Q: Anything to add? 
A: I have accumulated a large number of poems in which crimes of various sorts are threaded through the works. I’ve now begun to focus more on filling in the holes remaining in the sequences I currently have and this will be my next project.
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You can purchase a copy of Erasure, Syria from the publisher, Amazon, or by donating $35.00 to the International Rescue Committee and messaging a copy of the receipt to Susana Case via Facebook. You can also find her online at her Website.